In the past, I’ve used various pieces of software to alter the tempos and keys of recordings. Whether I want to slow something down to more easily transcribe a passage, or work on playing in different keys, the process involves (1) uploading said track so some program (i.e. Audacity, SlowGold, etc.), (2) finding the …read more
“…it’s so hard to describe music other than the basic way to describe it – music is basically melody, harmony and rhythm – but I mean people can do much more with music than that. It can be very descriptive in all kinds of ways…”
~Charlie Parker from an interview conducted by Paul Desmond (1954)
The more I ponder Bird’s fundamental decomposition of music, the more I discover how aptly anything musical can be described by its harmony, melody, and rhythm. There’s still that lingering, intangible “much more,” the part that gives music meaning. But let’s save the “much more” for another post…
As improvisers, we …read more
Back in the late 60’s and 70’s, fourths were the hippest thing since sliced bread. Jazz entered the age of treble-heavy bass and electric fusion, and musicians were overlaying fresh-sounding (at the time) intervallic fourth patterns over all sorts of funky modal groove tunes.
But fourths are so much more than just a few licks to plug in. Let’s explore the harmonic and intervallic possibilities the …read more
Tunes are our shared language. One of the most beautiful and unifying aspects of jazz is this common musical familiarity that enables any group of seasoned musicians to get together and immediately start making music. I’ll cover the pros and cons of learning tunes as well as the right approach to building a solid base of tunes in your arsenal. At the end I give …read more
Say what you will about Roy Hargrove’s current lifestyle choices; the man has blown some serious trumpet in his day. Roy’s ability to effortlessly glide between playing “in” (playing notes that fit the harmony) and “out” (creating tension by playing notes that don’t fit) has always impressed me, so I recently …read more
When I was first exposed to the half-diminished chord, I was told to simply play the major scale a half-step up, thus giving me the proper chord-scale relationship. After giving a number of other approaches a shot in between with mixed success…
I’ve started thinking about the half-diminished chord in a new way that really opened up my playing: think about simply playing the dorian minor starting on the third of the root
(i.e. for Emin7b5, play your G-dorian). You will give weight to the proper chord …read more
In case you didn’t already notice, this is a blog, thus I’m going to try to use an infographic to communicate an idea. Read below the graphic for more information.
As a saxophone player I’ve transcribed many, many saxophone solos. When you’re starting to learn jazz, transcription is …read more
I’ve been obsessed with harmony lately. Those of you who read my last analytical post on harmonic discipline might have guessed as much (yes, I still owe a follow-up to that post, and it’s coming soon!). Specifically, I’ve been experimenting with ways to expand my harmonic vocabulary.
Transcription: a place to start
You know those points in a solo where one of your idols plays …read more
It’s been a whirlwind of a summer. I almost moved to London, but then I heard the burritos over there are terrible, so last week my girlfriend and I moved into a new apartment together instead. So, the posts stopped for a while, but it’s time to get back on the horse!
I’ve been thinking a lot about harmony and come to believe that the difference between today’s best jazz musicians and the rest of us is their masterful command over the minutia of harmony.
I realized that I don’t have as a good a grasp of the plethora of dominant alterations out there as I …read more
When you hear John Coltrane, you immediately know it’s Trane. It’s not the notes he’s playing or his dazzling technique that makes him sound uniquely like himself. It’s his sound. Every jazz musician, at some point, ventures into the abyss in search of their own, unique sound. Your sound is what makes you, well, you. But where do you start?
Let’s begin by …read more