Saxophone Altissimo Systems and Your Hidden Second Octave Key

Posted by on Jun 4, 2015 in Practice Tips, Sax

squawk

Learning to play in the altissimo (extreme upper) range of the saxophone requires patience, mostly on the part of the player, but also for whatever unlucky souls are forced to listen to your squawking. Progressing from squeaks to music is a process, but there are basic principles that should be isolated if you want to learn to control this demanding range of the saxophone.

2 key elements to playing in the altissimo range:

  1. Throat Control – practice your overtones! There’s lots of literature on this, but Rasher’s Top Tones is the bible. Most of altissimo playing is controlled by your throat, not your fingers, so you MUST start here.
  2. Fingerings – the saxophone wasn’t built to play in this range, and many “standard” fingerings are cumbersome to execute.

How can I settle on the right fingerings?

Ok, so you’ve developed great throat control through lots of overtone practice. But your technique is still not all that advanced up there. There are dozens of fingerings for each note on various fingering charts (see Ted Nash’s Studies in High Harmonics for a good reference), but most offer no guidance for which ones should be used together. Unfortunately it’s not so cut and dry, read on.

About 2-3 months ago, I was in a small group lesson with a true altissimo master, Ben Wendel. Being the unapologetic saxophone geek that I am, I asked about his altissimo fingering system. He patiently walked us through all his fingerings, but he also reinforced that the exact fingering system you use is less important than having great throat control, paired with a fingering system that’s comfortable and reliable. I ended up changing many of my fingerings as a result after much exploration, adopting a handful of Ben’s but also finding some of my own that just work better and are less cumbersome.

In my quest for my perfect system, I looked for the right combination of the following 3 elements:

  1. Fluidity – the more easily you can move from one note to another, the more technical mastery you will be able to gain.
  2. Intonation – Although fingerings are of far less importance than how you control each note, I prefer a system that trends a bit sharp, allowing me to loosen my embouchure and spare my chops.
  3. Stability – every saxophone is different, and some notes just speak better on each horn than others. You want to find fingerings that you can reliably hit and control.

 

Interested in jazz saxophone lessons in the Los Angles area or remotely? The Woodshed author Mike is now accepting students! Learn More >>

 

My tenor altissimo fingerings

These may or many not work for you. However, this is the set of fingerings I currently use on tenor, and they are helping me reach the next level with my altissimo playing.

Here’s me taking them for a quick spin:

 

A hidden second octave key?

Take a look at the above system. One thing you may notice is that for every note above G, I keep down the third finger of my left hand (G-key) as well as the side C. It definitely takes a bit of getting used to: you need to learn to relax your left hand while keeping these fingers down, which is unnatural. However, you’ll find that this key duo is an incredible altissimo stabilizer, acting as a second octave key just for the altissimo range! Will it do much for you if you haven’t done lots of throat study? No. But with the right foundation, it’s certainly helps. Take another look at the fingering chart:

Parting Advice …read more